Digital Paper = The New Holography
About 20 years ago, holography was supposed to be the next big thing. Every client explored it, trying to bring three-dimensionality to their print work. I remember visiting the Museum of Holography with one of our big clients fine-tuning the photography process so we could create life-like burgers on the menuboard. But the whole time I was thinking “what’s the big deal?”
Holography was–and still is–funky one-color imaging that only impressed you when you crained your neck just so, in the right light, at the right angle . . . and now in 2008 it’s still nothing more than a movie studio parlor trick. This came to mind a couple of weeks ago when I saw the new issue of Esquire, with the “revolutionary” digital cover. It features digital paper, or what they call e-ink. What sounded cool when it was described to me was underwhelming when I finally got my hands on one. It’s really not much more than fuzzy lenticular-looking assortment of still images, which gain their limited impact only when you crain your neck just so, in the right light, at the right angle. We’ve been waiting for technology to reach the printed page for so long, it seems like we’ll celebrate any little twist. But until somebody figures out how to capture light, sound and motion, it’s barely worth the effort.
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